St Mary, West Tofts

West Tofts church is one of the four churches of the Norfolk Battle Training Area and it can't generally be accessed by the public. But if that ever changed, it would receive plenty of visitors. This extraordinary building would be the focus of pilgrimages by church enthusiasts, Pugin fans and casual visitors alike, who would all want to come and gawp in amazement. West Tofts was a typical small Breckland parish in a landscape of sandy heaths and pine woodlands. Its 14th Century church was augmented with a fine west tower in the 15th Century, and the donors had their names immortalised in flushwork around the base. You can see something similar a few miles off at Santon Downham in Suffolk. Not much happened after the Reformation until 1827, when Sir Richard Sutton purchased nearby Lynford Hall. A wealthy man, he expanded the estate by buying up the land in adjacent parishes, including Cranwich, Mundford, and this one, West Tofts. By the 1830s he owned all but four hundred acres of West Tofts parish. At this time, he paid for a restoration of West Tofts church, an early date, and intriguingly White's Norfolk Directory of 1844 tells us that it was beautified with stained glass about 15 years ago.

But the big changes were yet to come. In 1842, Sir Richard's wife Jane Mary died, and the family commissioned a mausoleum transept to be built on the south side of the nave. They engaged the services of the most notable architect of the day, Augustus Welby Pugin. This was completed in 1846. Then, in 1849, Richard Sutton's son Augustus was made rector of West Tofts, and embarked on a rebuilding on what Pevsner described as a remarkably ambitious scale. Pugin's brief was a complete transformation of West Tofts church, inside and out, including glass, furnishings and decoration, and no expense was to be spared. First, the ruinous north aisle and south porch were rebuilt. The following year, Pugin produced the design for the elaborate chancel, but before it could be completed he died in 1852. From this point onwards the work was overseen by his son, Edward Welby Pugin. The chancel is the most memorable feature of Pugin's church, for it is taller than the nave and has a western bellcote intended as a sanctus bell turret, giving the impression of a separate new church beside the old one. The roof extends a bay back into the nave, so that externally the south transept now comes off of the chancel, and the chancel appears longer than the nave. On the north side is a half-timbered extension which contains the internal stairway leading to the organ loft. It sits above a vestry.

The long church feels almost shoe-horned into its churchyard, an effect amplified by the tall wire fence protecting it from incursions. The churchyard is set back from the track that was once the village street, but the avenue of lime trees still leads up to it just as it did a century ago. Of all the Battle Training Area churches this is the one in the best condition, for effectively it is maintained as if it were a working church. You enter the nave through the south porch into a fairly dim and intimate space. The furnishings are Pugin's, and the tracery backs of the benches are based on a familiar late-medieval style found locally at a number of other churches. Turning east, the nave and aisle become a simple foil for Pugin's fireworks, for the south transept contains the memorial to Sir Richard Sutton's wife Jane Mary, a remarkable Gothic Revival piece, one of the grandest of its kind in England. It's in the Early English style with a highly decorated gabled canopy above what is effectively a shrine with a brass ledger. The roof above it is vaulted and painted. The memorial is contained within iron railings with the repeated Sutton rebus in copper of a barrel (or 'tun') with an S on it. Beyond the transept, Pugin's tall, elegant rood screen leads through into his son Edward's long chancel with its tiled floor, stencilled walls and painted roof. On the north side, the organ loft projects dramatically from the upper wall. The organ itself, with its memorable painted panels, is now at South Pickenham. However, as that church is now no longer in use and appeared in a state of some decay when I visited in 2022, I wonder if it might be safer for it if it was moved back here.

The best of the glass is in the north-west chancel window (though west of the screen) opposite Jane Sutton's shrine memorial. In its two lights it depicts firstly Eve in the Garden of Eden being tempted by the serpent, two hares sitting at her feet, and then the Annunciation, the Angel Gabriel appearing to the Blessed Virgin. it was installed in memory of Jane Sutton. The east window contains a crucifixion with scenes of the Passion, made by Hardman & Co to Pugin's design. It was removed into store by George King & Son with the other glass in the 1950s, and it was only returned here in about 2017. When it was recovered from store it was found that the lead had twisted and the figure of Christ on the cross was missing, so a lot of restoration was necessary. The replacement figure of Christ is by Michael King who had previously worked for the firm. That on the south side of the chancel is by Frederick Sutton and incorporates figures of saints in 14th Century continental panels which had been collected by the Suttons. They originally came from an abbey in Austria, and some of the glass has figures reproduced by the Suttons in the same style. The south nave windows have paired figures of saints, the glass made by Hardman & Co to Pugin's design.Other glass in the north aisle is decorative, and also to Pugin's design.

The font sits at the west end of the aisle, with large protruding figures of angels holding scrolls, who emerge from beneath the bowl. It appears to be 14th Century. Above it is a crocketted Jacobean font cover.At the east end of the aisle is a screened chapel with a crocketted and cusped wall memorial in the style of a tomb recess, angels with scrolls flanking the opening. I'm told it was intended for Sir Richard Sutton, but in fact it was not used for him, for outside, low on the south wall of the transept, is another recess. Within it, Sir Richard lies close to his wife. He died in 1855, and the Suttons sold Lynford Hall to Stephens Lyne-Stephens and his wife Yolande. They had inherited a fortune made by a relative who had patented moving dolls eyes, and when her husband died in 1860 Mrs Stephens became one of the wealthiest women in England. Her stewardship of this part of the Breckland would be a new chapter.

As the church sits close to West Tofts army camp, it is the least secretive of the the Battle Training Area churches. It can be seen from a public road. It's used for an annual carol service for which members of the public can apply for tickets, and by the Norfolk Churches Trust for its annual service in the summer. It's also in use for occasional secular purposes.. It wouldn't take a great leap of the imagination to see it used more regularly for concerts and the like, and back at the end of the last century I recall ideas were being mooted that it might become generally accessible to the public again. But I am told that the changing security situation of the last twenty years or so has made that prospect unlikely.

Outside in the churchyard lie generations of West Tofts parishioners, and those with a family connection can still come here to be buried. There are many more headstones here than in the churchyards of the three other Battle Training Area churches, and one of the most memorable of them remembers The Two George Maples, a son and his father who died eleven days apart on Christmas Eve 1901 and 4th January 1902. Mary, the mother of the first and the wife of the second, lies under an adjacent headstone. Around them are Hammonds, Judds, Claydons, Scotts and others, seeing out eternity in this quiet, little-visited spot.

Simon Knott, November 2024

Follow these journeys as they happen on X/twitter.

a general introduction to the churches of the Norfolk battle training area

a visit to the Battle Training Area churches in 2023